#but like ... i'm thinking around 1935-40
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⤳ @vinduri, 𝘨𝘪𝘶𝘭𝘪𝘰 𝘢𝘲𝘶𝘪𝘭𝘢𝘯𝘰, asked: ‹ have i satisfied your morbid curiosity? ›
“ oh, i hadn't meant it morbid. ” voice is a muttered and quiet thing, a thin speech breathily made as she leans closer to inspect the printed image of a painting which reeked to her of familiarity: ivan holding his son tightly to his chest, his eyes wide in horror, drenched in blood. something about the visual gripped alice from somewhere deep within her chest, but she couldn't place the reason. brows furrowed as her frustration mounted, and with great effort she pulled herself away from the book and shut it with a swift, delicate motion of her hand. “ it's only that i'm very ill of loneliness. and i'd been wanting ... to ask ––– ” mouth hangs agape as she folds her hands in front of her and looks a bit sheepishly towards the other, before sparing a glance around the room. the silence is filled only by the obvious end to her sentence, that she had wished to ask exactly what she had asked him: what sort of teeth lay behind those lips, are they sharp? bloodied? have you eaten, lately? “ i am ... so hungry. ”
#hear me out .. alright alright alirhgt#hear me out.#and also know this is 1. up to interp and 2. i can happily adjust if we#wanna do some plottin mayhaps :3#but anywho – my instincts are using very early on alice after she was turned#probably not immediately after bc she wouldve been a bit more feral#but like ... i'm thinking around 1935-40? she'd have been a vampire 5-10years#she doesn't recall being human and so many of her memories are#stunted and awkward and loose – and she's very much still learning#how to exist in almost every sense of the word#and MAYBE maybe she sees some loose vision of giulio feeding?#or something of the sort. something to signal like .. a like creature#to herself (which is confusing in and of itself bc it's only recently really#started making sense that she is not human and humans are not#anything like her)#she's trying to adhere to this diet of animals alone#because she knows she'll eventually have to do so w the cullens#but she's not morally tied to that diet she just knows it's an#inevitability so u know. sometimes that hunger is DIFFICULT!#anyway hoping this makes sense im going to shut up these tags r#so fucking LONG...#feel free 2 take this in any direction though hehe
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Chapter 3: The Summer Has to End Someday
Pairing: Soldier Boy x f!reader, Reader POV
Summary: When the reader left Payback 40 years ago after a falling out with her childhood best friend she never looked back, but when two men show up to her apartment and start asking her questions about the past, the reader begins to think those things can’t stay hidden and starts to question what’s real and what’s fantasy. This is a re-telling of The Boys Season 3, where the reader is a supe who's known Soldier Boy since 1927. The chapters will fluctuate between past and present. This is chapter three of my "You Call It Madness But I Call It Love" series. (I'm so bad at summaries please forgive me!)
Word Count: 2.9K
Warnings: References to sex, Cursing (once or twice), Drinking, Soldier Boy might be, is, really, absolutely, a little OOC,
Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. Reader is occasionally described as "curvy." If you don’t like, don’t read, but if you do like, you’re my favorite!
Internal Monologue is in first person and is in italics
Main Masterlist
Series Masterlist
Philadelphia 1935
"Sit still." You say, dipping your brush gently in the small pot of water at your knee, before stroking it through your paints and placing it against the pad of watercolor paper in your lap.
It was a beautiful day at Fairmount Park. Children ran across the grassy fields flying kites and avoiding the outstretched hands of their mothers, while couples lounged on blankets with picnic baskets overflowing with sandwiches and champagne. The sun was sending gilded light across the pond that gently rippled with the breeze that brushed through your hair, pulling it across your rosy cheeks that blushed under Ben's gaze.
It was your 16th birthday and despite your mother's insistence to take you shopping in the busy stores that lined the streets downtown, you had refused, choosing rather to come to the park and prepare your mind for the party that would follow this evening. You had already glimpsed the abomination of purple tulle that your mother expected you to wear and you hoped that a quiet afternoon in the park would wipe the monstrosity from your memory.
At least before you were squeezed into said dress later that evening.
"I’m bored." Ben stated, leaning back on his elbows where he was sprawled next to you in the lush grass that was no doubt staining the light blue dress that clung to your body. One you had chosen for yourself that accentuated the way you looked, rather than hid it as the other dresses your mother bought for you. However, when Ben came to pick you up this morning your mother had insisted you bring a coat, despite it being the middle of summer. You hadn't missed the flash of anger in Ben's eyes when she wrapped the coat around your shoulders to hide your curves. The same coat that Ben immediately removed when you walked out the door and threw over the wrought iron fence that surrounded the front of your home, before looping his arm in his to direct you toward the park.
"It was you who said you wanted me to paint you." You sigh, looking up at your friend.
Ben's navy suit jacket was open, the buttons of his matching vest and white shirt underneath strained as his muscular shoulders pulled against them and made your breath catch as your eyes traced them. There was a pale pink phlox flower in his front jacket pocket, one you stuffed there earlier despite the roll of his eyes. You had wanted some contrast between his suit and the color of the flower, and despite Ben's annoyance, he obliged you as he always did.
"I was hoping there would be less clothing involved." Ben grins at you.
"You know, no other gentleman speaks to me the way you do."
"I didn't know you considered me a gentleman y/n. I thought that you knew me better than that." His grin quickly shifts into a mischievous smirk that makes you bite the inside of your cheek and turn back to the page.
A year had passed since Ben got you watercolor paints and ignited a unquenchable passion for painting. Something about the way the colors ran together soothed you, the gentle stroke of the brush against the page calming the usual frustrations of your life.
One of which was sitting beside you, looking entirely too attractive for someone who'd just rolled out of bed and was wearing the exact outfit he had been wearing when he snuck through your window last night. This morning he had crawled out the window and rang the doorbell at the front of your home, acting as if he'd been up for hours.
You pause at the thought of last night. Ben was leaving for boarding school number seven at the end of the week, but the way he looked when he showed up the night before, rumpled and smelling of cheap whiskey, meant that he and his father had another disagreement. Despite his inability to talk about what happened, if it was your burden to bear, to always be there for him, you welcomed it.
"Hey." Ben's hand comes down on your arm to draw your attention back to him.
You look back up at him. "Hmm?"
"What's going on in that pretty little head of yours?" He turns his head to the side to examine you.
"Thinking about the party."
"Oh right. Should be fun. Can't believe I received an invitation. I thought your mother would have burned it-"
"She tried." You smirk. "I snatched it from the fireplace just for you."
"How thoughtful."
“Selfish really. There’s no way I’m going through one of those parties without you again.” You snort, catching his emerald gaze.
“The Christmas party was not that bad-“
“Says the guy who got drunk on eggnog and then preceded to flirt with a potted plant!”
“That potted plant was more interesting than that idiot How-“ Ben’s next words are cut off.
"Y/n!" You hear someone shout from behind you.
Howard Stine struts towards the two of you across the sidewalk, where a few other boys stand in a tight group. He’s wearing a sand colored suit and vest, with the chain of his golden pocket watch catching in the warm sunlight with each stride forward. At Howard’s appearance, Ben sits up from his relaxed position, leaning towards you.
“Speak of the devil.” You hear him mutter.
Ben nods his head towards the group of boys, who nod back in greeting. Ben was more popular than you. Your own circle of friends was reduced to Ben, your housekeeper, the gardener, and a handful of girls your own age that only wished to talk about how close you and Ben were and once they realized you were just friends, they then proceeded to ask you if you could set them up.
As if you would ever set them up with him, you were still trying to set yourself up with him.
A few of the group of boys you recognize as the sons of your father's friends and others boys you'd seen Ben stumble around with on the streets after a night at the bar around the corner. You watch Ben's left hand go to the flower in his front jacket pocket and crunch it in his fist before the others can see it.
The action made you smile to yourself, because despite Ben not wanting them to see him with the flower, he had still allowed you to place it there.
Howard blocks the rays of sun above you so that you don't have to squint up at him. He wasn't terrible looking. Howard was your height, with reddish brown hair that was slicked back over his head and he had a dusting of cinnamon colored freckles on his cheeks, but he was nowhere near as tall or broad as Ben. Where Ben was muscular, Howard was lanky, his hands small and sweaty. Ben moved with a grace and elegance that you couldn't comprehend, while Howard plodded along, stumbling on solid ground. Howard's pointed chin was nothing like the strong jaw of Ben's rugged face. Something that you studied whenever Ben was with you and you spent several nights devoted to capturing in your sketchbook.
"Hi Howard. How are you?" You smile at him, brushing back your hair from your face with your free hand.
Howard's eyes move from Ben to you, taking in your close proximity. Ben's hand was still touching your arm, and the tip of your knee an inch away from the outer edge of Ben's thigh. In fact, Ben had leaned towards you so close when Howard came over that his breath rustled through your hair.
"Good. What are you doing?” Howard moves a hand through his hair to tousle the reddish waves.
“Ben is obliging me. It’s a beautiful day and I wished to capture it.” You wave the brush in your right hand for emphasis.
“Ah.” Howard squints at the watercolor paper. “Well it’s certainly interesting. I didn’t know you liked to paint.”
“She likes all kind of things Howie.” Ben responds with a smirk, his voice dripping with suggestion.
Your eyes flash a warning to where Ben sits. He’s withdrawn his hand, but he’s still leaning close enough to you that you can smell the spicy scent of his shampoo and cologne.
It reminds you of this morning when you woke up and realized that Ben had pulled your back into his chest while he was sleeping. When his arm was curled around your waist as he buried his head in your hair and muttered something in his sleep that you couldn’t understand. The thought makes you flush bright red, remembering how wonderful and intimate it felt to be there.
Howard ignores him. “We're all going to go to Wallman's on the corner for shakes, I was wondering if you wanted to come?" He doesn't acknowledge Ben.
“Well-“ You begin to say, taking in the beauty of the pond and your paint stained hands.
The truth was you didn’t want to go, you wanted to sit there in the grass forever with Ben, where you couldn’t tell if you were warm because you were under the golden light of the sun or under Ben's gaze.
“She’s busy.” Ben says before you can finish your sentence.
Howard’s smile becomes tight. “I think I was asking her.”
Ben shrugs. “And I think I just gave you an answer.”
"Why don't you just-" Howard begins, but Ben is already up off the ground, pressing his chest against Howard's, his green eyes blazing in the light of the sun.
"Why don't I just what Howie?" Ben's voice is low, the deep rumble stirring something in the pit of your stomach.
You loved a lot of things about Ben, but his temper was not one of them. Ben rarely lost his temper with you, yes you did annoy him and he would lose his patience, but he often turned that anger into teasing.
"Ben." You stand, leaving your watercolor pad on the ground, so you can place your hand on Ben's shoulder. It was supposed to be a gentle reminder. Ben knew that you were more than capable of making your own decisions, but you couldn't help but wonder why Ben had responded the way he did.
Is he jealous?
Ben looks down at you with a frown, but finally he sighs and takes a step back.
Howard's eyes are narrowed at where Ben now stands to your right, Ben's arms crossed over his muscular chest, but Howard's gaze shifts back to you expectantly.
"Howard that's really sweet, but it's getting late and I have to get ready for the party tonight." You force a giggle to ease the tension in Howard's shoulders. "You are coming right?"
"Of course." He smiles. "I was hoping that you'd save a dance for me."
"She-" Ben begins to say, but you elbow him in the side, hard.
"Of course I will."
“Great. I guess I’ll see you tonight.” He frowns one more time at Ben before turning back to the group of boys on the sidewalk and leaving with them.
Ben stands there for a minute watching him go.
"You should try to be nicer to him." You say, tugging on the sleeve of Ben’s jacket to grab his attention.
"Why?" Ben snorts.
"Because-" You shrug. "He's sweet and he’s interested in me. I’d hope that you two would get along.”
Ben rolls his eyes. "You could do better."
"Last time I checked the suitors aren't exactly lining up. Not to mention you tend to scare them all off." You wave a hand around you for emphasis. "And I'm not getting any younger."
"Neither am I, but you don’t see me settling for Howard Stine.”
"I didn't realize he was your type." You snort rolling your eyes at him as you sit back down in the grass and pick up your painting again. "I haven't seen you courting anyone recently."
You try to keep the happiness from your voice at the thought. Ben hadn't been trying to chase after as many girls in the past few months as he had previously. And you wondered if his father was trying to arrange him with anyone. If Ben’s mother had still been alive you knew that she would have found someone suitable for Ben, but you’d heard your father say something to your mother behind a closed door that Ben’s father had asked about one of the daughters of his work colleagues.
The thought makes something in your chest tighten to the point of snapping. You hated the idea of watching Ben court someone else, watching someone else kiss him, run their fingers through his hair, and hated the thought that Ben would spend the night with someone else other than you.
Of course when he spent the night with you, all you did was talk, but it was possible that Ben might find that sense of companionship with a lover rather than you.
And then where would you be? Alone.
Ben reclines back as he did before, shaking his hair out behind him, and closing his eyes. It's lighter in the sun, more of a honeyed brown than the usual oak. "I leave in a week."
"Hasn't stopped you in the past." You mutter more to yourself than him.
"Maybe nothing has caught my eye." He opens one eye to study you.
"Hmm."
“Or perhaps I’d much rather spend my last days of freedom with you.” He flirts with a wide smile.
“Last days of freedom?” You laugh, ignoring his tease. “We both know you’ll probably be back within the month.”
Instead of laughing, Ben’s smile fades into a frown and you wonder if he’s thinking of his father.
“Ben I’m sorry I didn’t mean-“
Ben shrugs it off and pulls out a silver flask from his jacket pocket. As soon as he opens it, the sour smell of whiskey floats through the air before he takes a swig. He holds it out to you, but you wave it away, focusing back on your paper.
"So if he's the one, why didn't you go with him to Wallman's? You made up a bullshit excuse that you had to go home." Ben takes another pull from the flask, but you can't shake the shift in his tone.
"I wanted to finish painting." You say to avoid the truth, that you didn’t want to leave him, because you could tell he was still upset over whatever he and his father talked about last night. “But I do need to go home. Mother is no doubt waiting with a horde of maids to make me presentable.”
You frown to yourself imagining next few hours where you would be slathered in creams, your hair tugged and swept up over your head, your body scrubbed almost painfully, and finally the corset that would cut off your circulation and make it impossible to breathe.
You wondered if any other girls your age were subject to such torture.
“Just admit it y/n, you find Howard as boring as a sack of flour.”
“He’s from a good family, he’s a gentleman. My mother would be pleased-“ You start to say, defending Howard even though you didn’t like him as much as you liked Ben.
“Your mother would be pleased with a cactus as long as it meant getting you out of her sight.” Ben snaps back.
His sharp words sting against your skin and you drop your eyes to the paper again, welcoming the silence that follows. Because he was right.
Your mother thought you were a disappointment. She had started comparing you to your sister-in-law who was flawless, effortlessly beautiful and graceful. Your mother voiced her disapproval many ways with disapproving looks, snide comments on what you wore, how you looked... It wasn’t for lack of trying. You did whatever she asked but each time it was never good enough for her. You weren’t enough. And it was something you kept close to your heart. Ben knew that better than anyone.
That’s why his words hurt so much.
“Sweetheart I’m sorry-“
“It’s okay.” The tears that burn in your eyes smear the image of the page in your lap.
“Y/n please look at me.”
You don’t raise your head. “I should go. She’ll be mad if I’m late-“ You begin to put away your things.
Ben’s fingertips come to your chin, tilting it back to look at him once more. He looks sorry. His green eyes are paler now, like clover, wide and open, his mouth pulled down into an apologetic frown.
“Please don’t go. I’m sorry. Just stay a little longer.”
You sit there for a moment, his hand cupping your cheek and as a tear falls Ben brushes it away with his thumb. The gesture is gentle and surprising. Ben tolerated the occasional hug, but this was more intimate. It made your breath catch.
“Okay.” You whisper.
Ben relaxes and drops his hand from your face, but he’s still watching you. You know he’s trying to think of something to say to make you feel better, but when he can’t come up with anything, he reaches over and plucks another flower from the bush on his left, before stuffing it in his front jacket pocket.
It enough to make you smile and this time he returns it, understanding that he's been forgiven. You allow the warmth of his gaze seep into your skin and you bask in the warm glow of his smile.
Thank you so much for reading! If you'd like to be added to my taglist for this series, let me know :)
Taglist: @roseblue373 @anundyingfidelity @cheynovak
#jensen ackles soldier boy#soldier boy x reader#soldier boy x you#soldier boy x female reader#the boys fanfic#the boys#soldier boy#soldier boy fanfiction#the boys amazon#jensen ackles#soldier boy/ben#soldier boy fic#the boys series#the boys season 3
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Propaganda
Greta Garbo (Camille, Anna Karenina, Queen Christina)—Enigmatic and alluring and made me bisexual. The perfect example of the eroticism in silent films that literally transcends text. Could literally not change anything about her expression but you knew by looking at her eyes what she was thinking. She’s so gorgeous.
Kay Francis (Jewel Robbery, I Loved A Woman, British Agent)— kay francis was an icon of glamor in her time and a top star of the 30s - she was the highest-paid actress at warner bros from 1930 to 1936. she tended to play characters who were charming, sophisticated, and elegantly dressed, and starred in at least one legitimate masterpiece, the sublime 1932 comedy trouble in paradise. her first big role was in the marx brothers movie the cocoanuts in 1929, and she and william powell made seven movies together between 1930 and 1932. even in her sillier movies she always elevates the material with her charm and presence - she never phones it in and there’s a sort of warm, knowing wittiness about her. a really good short promo from a retrospective of her movies that i think really gets her Vibe across
This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Kay Francis:
youtube
Jewel Robbery clip
"From 1932 through 1936, Francis was the queen of the Warner Bros. lot, and, increasingly, her films were developed as star vehicles. By 1935, Francis was one of the highest-paid actors, earning a yearly salary of $115,000, dwarfing the $18,000 Bette Davis – who would one day occupy Francis's dressing room – made. From 1930 to 1937, Francis appeared on the covers of 38 film magazines, second only to child sensation Shirley Temple's 138." Source: Wikipedia. Kay Francis is like the MOST FAMOUS Actress from the 1930s you've never heard of--and it was her and Norma Shearer who wore and made classic the 1930s tall, slim, bias cut silhouette. She ALSO has a WHOLE PODCAST episode devoted to her life and career in Hollywood--it's fascinating! She is both tough and a total wet cat.
One of the TALLEST Warner Brother stars at 5’9” and known as a “clothes horse” for her glamorous roles wearing the height of 1930s fashion. She fell out of popularity in the 40s, but her 30s work sizzles. The scene with her and Herbert Marshall in Trouble in Paradise where she says she doesn’t care about his reputation (because she’d rather sleep with him?) HAWOOGA
melted my gay heart with her butch look in stolen holiday
"My life? Well, I get up at a quarter to six in the morning if I'm going to wear an evening dress on camera. That sentence sounds a little ga-ga, doesn't it? But never mind, that's my life ... As long as they pay me my salary, they can give me a broom and I'll sweep the stage. I don't give a damn. I want the money ... When I die, I want to be cremated so that no sign of my existence is left on this earth. I can't wait to be forgotten." —From Kay Francis's private diaries, c. 1938
Garbo:
A cold-ass Swedish WLW Sphinx. Had plans to murder Hitler that she never got around to. "She will remain always a child of vikings, moved about by a snowy dream."
First of all, she's on the money; that's how much of a treasure she is. She's beautiful in such a distinct way you need very few lines to draw her. (Drawing by Einar Nerman) She managed to be mesmerizing in both silent and sound films. She kissed a woman in Queen Christina (and probably several more in real life). She was super dry and really funny in Ninotchka. She got the hell out of Hollywood and stayed out, living for almost 50 years after her retirement.
Garbo is one of the many reasons why I'm gay. If you haven't seen Queen Christina please do, She is so gender in that film. Also her accent makes it sound like she's always talking in cursive and it's so hypnotic (or at least I think so).
She's a gay introvert, like all of us here on Tumblr.
Mysterious and aloof, charismatic and enigmatic, with beautiful androgynous characteristics, Garbo is undoubtedly the most eccentric and unique Hollywood vintage star. Her aversion to fame and stardom makes her even more desirable to the audience, and her insane chemistry with the camera, an actress one of a kind! Her particularity and her oddity is what discerns her strongly from her hollywood co workers at the time, noone was like her and would never be like her. I think, to the utmost extent, that she deserves the title of the hottest vintage star, even though that would be an understatement of what she is!
SO gorgeous, her thick Swedish accent makes will turn your brain into pudding
Probabaly a lesbian, absolutely a mood when she retired
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-shithead with money and authority over the stable population (I might not know much about 19th century European aristocracy….but I imagine even rich children struggled to buy something like an imported thoroughbred without their parents’ permission). Also depending on time you know khan is the first to drive an automobile
Regardless of his monies i think importing a thoroughbred would have been harder than importing a percheron because thoroughbreds are like. british born and bred so you gotta make them cross the Channel to get them into continental Europe. percherons are french so even if Far Away you don't have to put one on a boat you can just chuck it in a train. the Kains also look like a Kladruber family to me... the v
czech breed so even closer, but a saddle breed and not particularly tall, hence the Percheron...
and idk what your thoughts are on the #timeperiod but i'm of the opinion (and i know quite a few people are) that p1 specifically is an early-20th century girl, something like around the 1917 revolution, but p2 from what we're seeing of the bachelor route is shaping itself to be around 1925-1935(?)... post-wwi the US had a booming automobile market (the Ford T and all of them) while europe kinda did not due to the. war. cities razed and whatnot. so if he tries to get himself a car in the '20s he might need to import... unless he wants himself a Russobalt (not sure how many of them were produced)... or a Delaunay-Belleville but he might get laughed at because it was the Tsar's favorite and well. we know what happened to the Tsar... in the 30s or 40s he can get himself a GAZ... or he can import like. a Peugeot. but uh. watch out [the war]
#ring ring (answers)#anonymous#well also many russian cars in the 30s and 40s were like. hard to get + for KGB members almost exclusively so. might get a connotation fast#do NOT give him a citroën between the years of 1938 and 1945. even if objectively they serve
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HalloWatch: Werewolf of London (1935) Watched: 10/29/2023 Format: BluRay Viewing: First Director: Stuart Walker Every year, Jamie and I each carve a jack 'o lantern. Usually we put on a movie something we've seen before, often a comedy or horror-comedy. But this year I squeezed in one of my Halloween bucket movies for the year, but I can only say I *partially* watched this one, because I was also carving a pumpkin and then cleaning up the aftermath. this year's effort. Jamie's Dracula on the left, my ghoul on the right I had just never gotten around to Werewolf of London (1935), which is a bit of a surprise even to me. I am a fan of Lon Chaney's take on The Wolfman that would pop up 5 years later, but I never make it through the rest of the werewolf films in the box set. I'm trying to get a picture of 1930's and 40's horror, one Halloween at a time, and have tried to watch offerings from Universal and RKO. Also, I exist in the same world as Warren Zevon, so you'd think I'd eventually just be curious to see the damn movie. The plot is nowhere near as tight as The Wolfman, and the performances not as punctuated. But that doesn't mean it doesn't have anything to offer. I liked the make-up, the transformation FX, and the general idea of the story. Scientists visit Tibet to find a flower they've heard only blooms in moonlight, and while securing the plant, are attacked by a werewolf. Returned home, renowned biologist, Wilfred Glendon, begins acting anti-social and ignoring his wife (played by Bride of Frankenstein's Valerie Hobson), who just happens to have her childhood boyfriend show up at the same time. A doctor Yogami appears and is also looking for the flower, which he says alleviates the symptoms of werewolfery. Anyway, mayhem ensues, the doctors both are werewolves, etc... All in all, it's really not bad, but the lead - unlike most Universal films - doesn't really have a sympathetic motivation in the same way we see Larry Talbot - a victim of chance. There's a dash more Jekyll and Hyde to the story than in the case of The Wolfman, but not enough to get hung up on thinking it's borrowing too heavily. In general, it's an okay movie. I didn't dislike it, and will watch it again with my full attention. A highlight was seeing Valerie Hobson in another movie shot at literally the same time as Bride of Frankenstein, but given far more to do. She's good! But, yeah, I need to watch it again next year to say much more. But I've 100% seen far worse. https://ift.tt/NGfXmyb via The Signal Watch https://ift.tt/blOI23g October 30, 2023 at 09:03AM
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actually i saw some handwritten notes in the #1930s tag and it reminded me, i don’t think i ever shared this cool school autographs book i found at a flea market. i really really love personal stuff like this and it’s full of cute notes from his classmates
it belonged to one William Junior Gorsage and his school colors were purple and gold! He was in a farming club (makes sense, this was farm country) and it looks like he used this for multiple school years, the dates on the notes go from 1934 up to 1938. cursive is hard to read especially 80 year old school children's cursive so i will do my best to transcribe it under the cut lmao. this isn't all the notes it's just a few of them, that first one about safety pins actually appears a couple times so i guess it was a popular bit of advice or something to write in these things. a 1930s meme, if you will.
it's not something super interesting like a personal diary but for $2 it's a neat little thing to have,,, a little glimpse into someone's life. It's Just Neat! i dug around for school records, he graduated in 1942. i wonder how this little thing ended up in a flea market bargain bin
question marks next to/replacing stuff i'm not sure about 🙈
SCHOOLDAY MEMORIES of William Junior Gorsage, Vermont Public school, Fifth Grade ~ Freshman
AUTOGRAPHS OF MY TEACHERS
If you're tired and have not won (?)
Never stop for crying,
All that's great and good is done
Just by patient trying
Please remember me
Florence Chenoweth (?)
(Teacher - 1931 - '32 - '33 - '34 -'35)
Lincoln, (????). Aug. 29th, 1935
Dear Junior,
When you get married and have twins
Come over to my house for safety pins
With love, Velma
Table Grove Ill
Poverty Ridge
October 14th, 1934
Dear Junior :-
For life is the mirror of kings and slaves,
'Tis what we are and do
To give to the world the (????) you have,
And the (????) will come back to you.
Always remember your Loving Sister, "Maddie"
Table Grove, Ill
August 29th - 1935
8:40 PM
I'll always remember the good times I had with you at your house this summer. - And I won't forget right away the donkey ball game we didn't see. Here's wishing you the best of luck. Your (?????? Straight up cannot read the signature I think one of the words is Lincoln. Also what the hell is the line about Donkeys lmao)
Pekin (?) Illinois
July 3rd, 1936
Dear Junior
Won't/Don't forget the time you came to our house and went swimming at the park. When the wind storm came up and blew the dressing tent down. You had (????) got your last (????) of clothes on. Your sister - (?? ???? ?????)
Sept 28th, 1938
Vermont Ill
Dear Junior,
Yours till Hell freezes over and the devil goes ice skating
A friend
Margaret
Vermont, Ill
Nov 11, 1936
Dear Junior
On your golden chain of friendship, consider me as a link.
Your classmate, Mildred McDormick (?)
"Babe"
#liz blogs#1930s#history#vintage#antiques#autographs#personal history#great depression#archival#personal journal#this guys ghost watching me post his school autographs on a magical screen plugged into half a typewriter: WTF#local history#illinois history#handwritten notes are my favorite they're so personal#the record book i found from the 1940s has the inner cover filled out with what songs are in what sleeve#and im pretty sure its been cleaned out and reorganized some since then#but like. that's basically someone's playlist#those were songs they liked#its one thing to find some loose records its Another to find them WRITTEN DOWN IN A SPECIFIC ORDER#CRIES#ITS COOL MAN#im a DWEEB
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Hey, I was trying to figure out how old Dick's parents were, but a quick google search couldn't really find anything. Did any of the comics ever say how old they were? If not based on what we know, how old do you think they probably were? I always got the feeling they were a decent amount older than Bruce, but I'm not sure how much. The only thing I could think of was that they seem to by late teens/early 20s in Gotham when Bruce is like 10ish. But that show tends to divert from canon so...
Yeah, I don’t think anyone really considers Gotham the show to officially be in continuity with the comics, so I wouldn’t read anything into that.....but the comics aren’t much better, lol. You kinda gotta handwave things already, given that the backstory for William Cobb put his birth in the early 1900s.
And then it was basically implied that he was at most in his late twenties when his and Amelia’s son was born, so let’s say that was around 1930/1935......which means that if you go with Dick as being in his mid to late twenties himself, he was probably born around 1995, so you’ve got a couple options there.
You can either go with the idea that both Dick’s grandfather and his father each were around thirty when Dick and his father were born, which would put John Grayson at least, like, closer to forty when he died, assuming we go with Dick being somewhere around ten. Or you could go with the 20/40 split either way.....say Dick’s grandfather had John when he was already around forty himself, which gives you leeway to say John married Mary while fairly young, in his early twenties, and thus around thirty when they died. Or you can go with the idea Dick’s grandfather had John when only around twenty himself, which would put John at around forty when he had Dick, and thus around fifty when he died, which feels weird to me, tbh.
Or you can go with anything in between, lol, but you get the idea.
Personally, I go with the thirty/thirty split, not for any particular reason, just I picture John and Mary as late thirties when Dick’s close to ten. Again, purely subjective, there’s really nothing else behind that decision for me.
*Shrugs* But tbh, its all ultimately something that’s best handwaved and kept vague anyway, given that DC’s not going to be aging Dick up significantly any time soon, so as time goes on, its gonna make less and less sense for William to only be his great-grandfather if he were actually born around 1900, so...y’know. Just kinda adjust as needed for your story, I say. But as of right now, the above is how I picture it breaking down.
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HalloWatch: Werewolf of London (1935) Watched: 10/29/2023 Format: BluRay Viewing: First Director: Stuart Walker Every year, Jamie and I each carve a jack 'o lantern. Usually we put on a movie something we've seen before, often a comedy or horror-comedy. But this year I squeezed in one of my Halloween bucket movies for the year, but I can only say I *partially* watched this one, because I was also carving a pumpkin and then cleaning up the aftermath. this year's effort. Jamie's Dracula on the left, my ghoul on the right I had just never gotten around to Werewolf of London (1935), which is a bit of a surprise even to me. I am a fan of Lon Chaney's take on The Wolfman that would pop up 5 years later, but I never make it through the rest of the werewolf films in the box set. I'm trying to get a picture of 1930's and 40's horror, one Halloween at a time, and have tried to watch offerings from Universal and RKO. Also, I exist in the same world as Warren Zevon, so you'd think I'd eventually just be curious to see the damn movie. The plot is nowhere near as tight as The Wolfman, and the performances not as punctuated. But that doesn't mean it doesn't have anything to offer. I liked the make-up, the transformation FX, and the general idea of the story. Scientists visit Tibet to find a flower they've heard only blooms in moonlight, and while securing the plant, are attacked by a werewolf. Returned home, renowned biologist, Wilfred Glendon, begins acting anti-social and ignoring his wife (played by Bride of Frankenstein's Valerie Hobson), who just happens to have her childhood boyfriend show up at the same time. A doctor Yogami appears and is also looking for the flower, which he says alleviates the symptoms of werewolfery. Anyway, mayhem ensues, the doctors both are werewolves, etc... All in all, it's really not bad, but the lead - unlike most Universal films - doesn't really have a sympathetic motivation in the same way we see Larry Talbot - a victim of chance. There's a dash more Jekyll and Hyde to the story than in the case of The Wolfman, but not enough to get hung up on thinking it's borrowing too heavily. In general, it's an okay movie. I didn't dislike it, and will watch it again with my full attention. A highlight was seeing Valerie Hobson in another movie shot at literally the same time as Bride of Frankenstein, but given far more to do. She's good! But, yeah, I need to watch it again next year to say much more. But I've 100% seen far worse. https://ift.tt/NGfXmyb via The Signal Watch https://ift.tt/blOI23g October 30, 2023 at 09:03AM
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